Meet Lord Henry Wotton, a living, breathing epigraph machine. If there is something clever and cold to be said in The Picture of Dorian Gray, then Lord Henry will probably say it. He appears to be the surface that Wilde alludes to in the Preface, but there is something a little troubling and problematic about Lord Henry that does not quite fit this theory. Throughout the text, people poke fun at Lord Henry for not practising what he preaches. It is possible that the deep hypocrisy and envy of a particular kind of youth and beauty is at the core of his desire for power and destruction over his fellow man.
Text: The Picture of Dorian Gray by Oscar Wilde, 1890/1891
Does he survive the novel? Yes
Family: Wife is Victoria Wotton, separated by the end of the novel
In the beginning, we can easily dismiss Lord Henry’s motivation as being curiosity, but as we are drawn deeper into the story it becomes apparent that there is a kind of dark voyeurism and the desire to dominate that governs Lord Henry’s actions. He is determined to exact an inescapable influence over Dorian Gray. But this desire to control is unsustained after he opens the door to Dorian’s corruption and the damage is done he just leaves him to his own devices. As a gothic villain, Lord Henry falls right into the category of the tempter, see also Dracula.
Lord Henry as the Creator
Whilst Victor Frankenstein and Lord Henry are quite dissimilar in nature they both undertake the process of creating a “monster”. Lord Henry talks of scientific experiments on Dorian’s psyche, and his he bombards the young man with dangerous ideas that foster this the corruption of this naive man. He builds the creature that is Dorian Gray by appealing to his vanity and desire for sensation. His tools of creation are indeed sensation and ideas. There is no one to hold Dorian’s hand as he navigates his way through the consequences of his diabolical pact and his debaucherous lifestyle. Sir Henry has created a monster and has then let him roam the world unchecked.
“It is only the sacred things that are worth touching, Dorian,” said Lord Henry, with a strange touch of pathos in his voice. “But why should you be annoyed? I suppose she will belong to you some day. When one is in love, one always begins by deceiving one’s self, and one always ends by deceiving others. That is what the world calls a romance.”
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