Making a belated aquaintance with The Stanley Parable

So I have been pining for “Beginner’s Guide”, the new Davey Wredon release but everyone talks about the game being more meaningful when viewing through the lens of his previous release; “The Stanley Parable”. So I’ve just downloaded it and I’ll let you know how I go.

May contain spoilers
First 15 minutes
Spent the first 5 to 10 minutes walking like a crab thinking it was a frustrating game mechanic until I worked out that there were no keys automatically specified for turning on OSX… A quick sheepish trip to the options menu sorted that out. So far I have established that I can die from jumping off an elevated platforms, and Stanley’s boss’s office looks like a house a gothic teen would design in the sims.
30 minutes in
Second attempt with almost full mobility…. I cannot look up or down or use the mouse but its better than nothing. Hmmm and now a path though a pleasant paddock has led me right back to the start…. sooo maybe I won’t turn off the power straight away this time…. where is everyone? And who was the woman the narrator was talking about??
1 hour in
Now the narrator is arguing with an obstinate narrative line??? This is getting weird. Not a game for those who dislike the feeling of going around in circles.
1 and a half hours in
7 restarts 3 endings in… oh my brain… still going…. is this elevator ride ever going to end? is the elevator music singing stanley? am I crazy? am I Stanley?
Final thoughts
What fuckery is this?
Good excellent confusing bittersweet frustrating headache inducing…..
$14.99 and nearly 2 hours of my life gone…
And I regret NOTHING

Except that fern… I wish I never looked at the fern…

✮✮✮✮ 4/5

Tomorrow I take on The Beginner’s Guide… or finish that review of Undertale I never got around to…

Or… you know… do my anthropology essay…

The bus countdown continues 37 days until busness

Did you know…

Finding out about exactly what the different component of your bus are made from is much harder than I thought. I mean we can check it all out and work out what we are doing and adapt our approach once we have the bus… but I’m just trying to get a head start. I can find out exactly how many Mercedes Benz OH1418s were made and which companies bought how many… but nothing useful.
Hopefully there wont be too many nasty surprises on the horizon.

Stuff we are swapping and selling is here:

Follow Morgan’s board stuff to swap on Pinterest.


Update: 38ish days til bus

Hmph so unexpected napping has set back my sorting productivity massively today. But we paid the first deposit on the bus!!!


We own 1/3 of a bus!
I’m still aiming to get all the photos of the stuff for swaps up tonight but it won’t be until later.

Questions for today:
Does anyone know of any local (to albury wodonga) free campsites apart from Richardson’s bend, Doolans Bend and the other murray river reserve campsites?
Also has anyone been through the VASS certification process with a motorhome?
Post a comment or send me a message.

Update: 39ish days until bus time

There are signatures on things… Its all starting to feel pretty real. I moved the first couple of boxes out to Howlong today, paid the last gas bill at the flat and cancelled my spotify subscription… so many things to cancel…
I am dreading the day I have to cancel my Audible subscription, I NEED my audio books.

Swapping and selling all the things
I have found another box of corsets, dresses and shoes. Seriously… this goes on and on.
Anyone who wants a cheap corset hit me up. I am happy to accept $20 each or bus conversion supplies.
I am not joking… if you have
* insulation batts
* large paint brushes
* camping chairs
* mod podge
* polyurethane sealant
* pairs of hinges over 50mm long
* unused sandpaper
* plywood
* a lockable dog door
* car or bus seats with attached seatbelts
… floating about your house and you want:
* Large/medium/small garden pots
* desks
* corsets
* heels
* wardobes
* carbinets
* out door seats
* bookcases
* glassware
Send me a message because we need to sell or swap ALL THE THINGS
Pictures of all the things to come in a later post.
Albury/Wodonga area.


Bus intro

We’re going off grid. Its time for us to be the smelly unreliable nomadic hippies you always suspected we were.
The tentative plan:
1. We get the bus in december so we can start stripping chairs out.
2. We will be staying with some super supportive and generous friends and family while we fit out the bus to live in and get solar power and water tanks sorted out.
3. Then we head off. We’ll be staying locally during the week then adventuring on the weekend… but that’s still a long way off.
despite the vagueness of this plan we have been planning and researching this for a long time but the finer details will be tried and tested when we start encountering problems or new solutions.
Understandably our plan has been met with skepticism and criticism. And while we understand that it is both an ambitious plan and definitely not for everybody we are keen to try our best to make our pipe dream a reality.

Reasons we are doing it:
* To consume less
* To give the kids a massive backyard
* To become more self sufficient
* To spend more time with the kids
* to spend more time with friends and family
* To break away from our technology reliance
* To see more, do more and live simply.

Update: Bus in 40ish days

Update: 40ish days until bus time

This is our bus

our bus
We have the kids bunks!!!
Still looking for a wooden base for our king size bed so if you see one let us know. Our budget is limited but we have a pretty nifty iron and wood one we can swap.
Also I bought a biomass stove… even though I should have waited… but but… excitement adventure and really wild things.
It uses twigs as fuel, now I just need to keep my eyes peeled for a dutch oven of the non-fart persuasion.
We checked out the free camping spots near us… Clearance under trees to get in may be an issue with some of the closer ones, but damn they were pretty.
Feeling much more positive now despite nay sayers…

Language as a Political Instrument

Module Study, Language as a Political Instrument, Morgan Pinder
Alcohol, Football and Certainty; Assault Coverage in a Regional Area
Analysis of the top 96 search hits of articles pertaining to assault of a sexual and non-sexual nature, filed within the past 2 years, appearing on the online version of Fairfax regional newspaper; The Border Mail. Search feature is orientated toward keyword density and the key words used were “assault” and “sexual assault”.
This research is endeavouring to build a picture of how the paper treats the victim and accused within coverage of an incident through an adapted version of the “agent, process, goal” approach to breaking down coverage of violent crimes (Clark 1992). This analysis is also designed to produce an accurate gauge of whether the presumption of innocence is followed prior to conviction and whether the court’s decision is accepted post-conviction, particularly in relation to differing trends when comparing sexual and non-sexual assault victims.

Overly Negative Naming of Victim or Accused
The aim in using naming analysis was to determine any bias in displayed in naming choices made by the paper.
In the case of sexual assault accused there were a few cases of negative naming and in these cases accused were often depicted as monstrous and animalistic, with such terms as “vile” and “horrifying” used to describe their actions, particularly in relation to crimes involving children or seemingly random attacks.
Non-sexual assault accused were negatively named in 18 out of 49 cases, with some of the negative elements relating to geographic location, that is to say that certain suburbs of the local area having a bad reputation were mentioned as a key identifier to give the accused the weight of negative generalisations that come with association with the suburb, in this case the suburb of Lavington. Lavington has a lower socio-economic standing than much of the Albury Wodonga area (Baum, 2009) and generalisations are often made based on someone’s association with the suburb. Non-sexual assault victims were not named negatively in any of the stories examined, with the exception of the unnecessary inclusion of a victim’s family stated as living in Lavington (article: ‘You’re dead’ – Footballer accused of threatening, assaulting girlfriend).

Overly Positive Naming of Victim or Accused
This was analysed to determine any positive bias when naming the victim or accused in coverage of an assault. This was analysed in the same way as with the negative naming analysis.
Non-sexual and sexual assault victims, if they were identified in a positive manner, tended to be identified sympathetically, particularly in relation to women with children. On a few occasions the victim was identified as being intrinsically of value in the community. Non-sexual assault accused were only named positively if the crime took place in what could be considered to be part of their role as a respectable member of society, for instance a police officer is given mitigating circumstances for an assault as the victim was allegedly publically urinating (article: Bond for cop over pub biffo) and the paper adopts a position of outrage when a footballer is convicted of assault on the football field (article: Collie Eagles player Matthew Blackford found guilty of on-field assault).
44548613, Module Study, Language as a Political Instrument, Morgan Pinder
In the case of sexual assault the accused was only named positively if they were seen to be of some standing in the community.

Accused is not Given Agency
Using the “agent process goal” model of identifying the agency of a reported incident, each article was examined to determine whether at any stage direct agency was attributed to the accused.
In sexual assault reporting where the accused was able to be identified they were given agency in most cases, but there were 5 exceptions in which the accused was portrayed as being in a sense the victim of an accusation. In most cases non-sexual assault accused were attributed direct agency with 3 exceptions, two of which are related to on field football assaults. When analysed individually headlines, as opposed to full articles, show that agency was more likely to be attributed to the accused in non-sexual assault. The full article and headline analysis indicates that there may be a higher incidence of victim blaming in sexual assault cases, however with such a small margin of difference in incidences a larger sample study would be needed to determine this with more certainty.

Victim is cast as agent
Using the “agent process goal” model of identifying the agency of a reported incident, each article was examined to determine whether at any stage direct agency was attributed to the victim.
Non-sexual assault victims were not cast as the agent in any of the stories examined and in the case of sexual assault victims only one was implied as being the agent, this was not a local case (article: Mormon Tourist Accuses Man of Assault) and the victim was named in such a way as to discredit her claims, and she is the accuser rather than victim in this story.

Mitigating circumstances or attempts to justify crime
When analysing the articles collected any attempts to justify the crime that were given a credible position by the newspaper were documented to determine whether the assault was considered to be a legitimate crime or its impact was downplayed due to the circumstances surrounding it.
In the case of sexual assault accused, most mitigating circumstances were offered by the accused or defence attorneys, mainly surrounding issues of consent, depicting the victim as culpable or the mental health of the accused, painting the accused as tortured. The only mitigating circumstances that were included for non-sexual assaults were in connection with prior relationships, mental health or in three separate cases the location of the incident. In the 3 attempts to justify the crime by location 2 of these took place on a football field and 1 in a school yard, this incident is downplayed as a “school yard scrap” (article: School yard assault in police hands).

Criminalising accused prior to trial
In this section of the analysis the absence of words of uncertainty (alleged, accused) prior to trial were noted, and the inclusion of previous incidents in reports that were used to increase the impact of the incident that is the focus of the article, making the audience see the incident as part of an ongoing pattern. In this regard there was very little difference between the criminalisation of accused non-sexual and sexual assault perpetrators, with the newspaper neglecting to express doubt to at least 50% of pre-trial cases. This “trial by media” approach (Waterhouse-Watson, 2013) to documenting assault cases fits in with the surprising incidence of specific information being divulged about accused addresses and the paper’s reputation for “championing” causes.

Reoccurring preoccupations
This involved re-reading the articles to record what common reoccurring themes where documented throughout assault coverage as a whole. These a preoccupations that indicate a potential agenda on the part of the newspaper, or the perceived views of the intended reader. The key preoccupations pertaining to non-sexual assault are alcohol and football. The alcohol theme is typically accompanied by a call to arms for tougher licensing laws and/or a list of other recent or geographically close incidents. The football theme is primarily touched on presumably because of the relative familiarity of the football players, with many pictures included as part of the coverage and the popularity of such stories in a regional area in which football is very popular. When race was touched upon it was in relation to Aboriginal football players.
In the case of sexual assault accused the emphasis was on the relationship to the accused rather than the surrounding context. The terms stranger and random appear several times despite sexual assault victims usually being assaulted by someone they know, suggesting a preoccupation with these types of crime, often emphasising the “monstrous” nature of the crime, portraying the accused as beasts as in Clarke 1992.

Coverage Volume
Sexual assault coverage tends to be lengthier with a higher instance of repeat stories, with the exception of non-sexual assault coverage relating to football. The most lengthy sexual assault coverage was reserved for incidents where the victim was a teenager and deceased.

Overly Specific identifiers
Identifiers such as specific street addresses were documented to determine how ready the newspaper is to condemn and single out an accused perpetrator of assault. Using the address of an accused is a choice that is made by The Bordermail in relation to each story where the address is available to them, so the stories where they are included were noted. In 5 cases non-sexual assault accused had the street name and suburb at which they lived disclosed, in most of these cases the victims were high profile members of the community. The paper was far less likely to disclose the street address of a person accused with sexual assault with only one clear incidence of this happening within the sample. Perhaps this lower rate is because of the emotive nature of sexual assault, or perhaps the effects of being directly implicated in a sexual assault are considered to be more severe than non-sexual assault.

In relation to sexual assault coverage the preoccupation was with the perceived monstrosity and randomness of some attacks, with greater attention paid to those assaults that were perpetrated by a stranger. The discomfort of the attacker being a person known to the victim in the case of sexual assault is such that The Border Mail does not dwell on the incident, unless there is a way to dehumanise the accused. With the heightened awareness of domestic violence due to crimes subsequent to the news period analysed I expect that the results would be somewhat different in this regard. The paper, however, seems to be quite willing to condemn those accused of non-sexual assault, especially those crimes that are linked to antisocial behaviour (drinking alcohol) and high profile perpetrators, such as footballers. The preoccupation with football seems to imply that if a player assaults someone on field then the victim is as much to blame as the accused, but if the player takes that aggression off-field then it is unwarranted and reported in detail as a dramatic fall from grace. The tone of the coverage of non-sexual assault seems to be a matter of timing and location, whereas the tone of sexual assault reporting seems to be determined by the relationship between the accused and victim, and the perceived worth of both parties to the greater community.

Baum, S., & Mitchell, W. (2009). Red alert suburbs: An employment vulnerability index for Australia’s major urban regions. Centre of Full employment and Equity, University of NSW, Newcastle., (2015). Albury-Wodonga News, sport and weather | The Border Mail. Retrieved 10 May 2015 to 22 May 2015, from
Clark, K. (1992). The linguistics of blame: representations of women in The Sun’s reporting of crimes of sexual violence. Language, text and context: Essays in stylistics, 208-24.
Ehrlich, S. (1999). Communities of practice, gender, and the representation of sexual assault. Language in Society, 28(02), 239-256.
Hogan, T., Hess, R., Wedgwood, N., Warren, I., & Nicholson, M. (2005). Women and Australian Rules Football: An Annotated Bibliography. Football Studies, 8(2), 77-88.
Lukin, A., Butt, D., & Matthiessen, C. (2004). Reporting war: Grammar as’ covert operation’. Pacific Journalism Review, 10(1), 58.
O’Hara, S. (2012). Monsters, playboys, virgins and whores: Rape myths in the news media’s coverage of sexual violence. Language and literature, 21(3), 247-259.,. (2015). Albury (C) : Region Data Summary. Retrieved 16 May 2015, from
Waterhouse-Watson, D. (2013). Athletes, Sexual Assault, and” trials by Media”: Narrative Immunity. Routledge.

News and politics: Tongue Tied on Breastfeeding

By Morgan Pinder

With Australian breastfeeding rates falling well below the recommendations of the World Health Organization, is there more our health system could be doing to support new mums?
96% of new mothers in Australia have been shown to start breastfeeding their babies, but by the time the babies are just 3 months old that rate drops dramatically with only 39% of women continuing to exclusively breastfeed their child.
Whatever your opinion on the “breast is best” debate it is clear from the results of the 2010 National Infant Feeding survey that something is deterring mothers from continuing to breastfeed to the recommended 6 months as outlined by the World Health Organization.
A maternal health nurse at Wodonga Hospital, outlined the support offered to post-natal mothers, “We have a lactation consultant and the Breastfeeding association is strong”.
She is confident that mothers in the Albury Wodonga area are supported from discharge from the hospital right through to 2 years of age, adding “The process is designed so that you are handed over directly from one service to another.”
Temeaka, mum and community advocate for two groups focusing on infant lip and tongue ties which can have an impact on a baby’s ability to feed, found that the support network fell short when it came to information and advice about some of the medical factors that can make breastfeeding challenging.
Temeaka said, “On a day to day basis we have upwards of two mothers coming to us with feeding issues and no support,” adding; “I think health professionals across the board need updated and further training about ties in particular. The ABA (Australian Breastfeeding Association) website is a good start but needs further development.”
Carmen, a new mum linked in with the local maternal health service, was nearly able to breastfeed for the recommended 6 months after discharge from the Wodonga Maternity ward. She indicated that she found the support offered helpful at times but often inconsistent and confusing.
“I was happy to breastfeed,” Carmen said “but because of the staff rotation it was confusing when the nurses told you the opposite things to each other.”

News and politics: Discovering the Circus under my Bed

On Friday the 26th of June, the Fruit Fly Circus, Albury based Youth circus school, opened their new show to a local audience at the Albury Entertainment Centre.
The family friendly plot follows the adventures of a young girl exploring the space under her bed and her own imagination.
The show was opening in Albury before going on to Sydney, Canberra and then to Istanbul, Turkey.
The international part of the tour is a unique experience for the performers aged from 9 to 19.
The show has been developed by the students, staff and trainers of the circus school over the past year and the months of planning, staging and refining culminated in a sold out show to an audience of diverse ages.
Venue based theatre technician Brent Scott was greatly impressed with how the show, which will go on to much larger venues in metropolitan areas, translated to the regional venue;
“There are many challenges that need to be overcome when adapting a show with these kinds of performance heights and a wide variety of safety concerns need to be addressed”
“We spend a lot of time talking to Fruit Flies staff and have lots of meetings to sort out how we go about changing our set up to accommodate the acrobat’s routines.”
“But,” he continued “the smaller performance space and the proximity of the audience made for an intimate performance.”
Audience feedback was also positive across different age demographics, with parents and children both delighting in this locally fostered circus performance.
Chelsea was amongst those in the audience and expressed her enthusiasm for the circus, both as a source of entertainment and as a local institution;
“It’s amazing to have such a nationally renowned circus in our area, and we are so lucky to be able to see the opening night of this show, especially considering that their next show is at the Sydney Opera House.”
But 3 year old, Flynn was universally positive about the whole performance, making it very clear that he did not like the “sad clown”.

Approaches to English literature: The Invisible Weight of Hector, Using intertextuality and The Iliad to create powerful characters in Ransom and “The Triumph of Achilles”

When Homer wrote The Iliad he was recording stories for posterity, but he could hardly have known the influence his work would carry throughout centuries that would be alien to him. How could he predict that this epic tale would be broken down and analysed, reimagined and reworked, right down to the minutest detail. Both Malouf in his short novel Ransom and Glück in her poem “The Triumph of Achilles” focus on the events that follow the death of Hector, creating an intense and personal depiction of the anguish, anger, desperation and grief, of which Hector is respectively the object of lamentation and the possible means to vengeance and closure. In these texts we see Hector as the murderer, Hector as the object of grief, the war as the backdrop and the gods as enigmatic yet explainable, but we must ultimately look to Homer to find; Hector the man, the fury of the Trojan War, the importance of the gods and the ultimate fate of the characters.
The Trojan War, whilst intrinsic to Glück and Ransom’s works, is not depicted in any great detail, for Homer’s text, and it’s preoccupation with war, provides a wealth of powerful material to be drawn upon. The longevity and notoriety of The Iliad has seeped into modern culture, so many readers can make the intertextual connections, often without having read The Iliad. With experts sighting that “interest in Homer in the 21st century seems to be stronger than ever” (Myrsiade, 1) the scale and drama of this legendary war can be called upon by Glück to show the intensity of Achilles grief, which she shows as completely eclipsing the importance and carnage of the war going on around him; “What were the Greek ships on fire compared to this loss?” (Glück, 13-14). Glück presents the reader with a very narrow portal into the grief of one hero in a tale rich with acts of heroism, even beginning her poem by asserting in the very first line that it is the story of Patroclus that the reader is encountering, not of the great Achilles, Hector, or the fall of Troy. This almost claustrophobic view of a section of Homer’s epic uses the resonance of the Troy story to very poignantly look at a very selective section of the vast work. Malouf’s approach to the Trojan War though more detailed, is an account of the war from the personal perspective of Achilles, who does not seem to see, care or be affected by the greater war and that which does not immediately affect him. Malouf shows us very clearly that the reader is surely not seeing the full picture of the conflict in Achilles reflection on Patroclus’s disillusionment with his friend’s command; “He sees my indifference to the fate of these Greeks as a stain to my honour, Achilles told himself, and to his own” (Malouf, 16).
The cause of the war is not examined within the modern texts, as even many who have not read The Iliad have at least a cursory background knowledge of the battle of Troy, the beautiful Helen, and the personal pride that lead to this epic conflict. This war that is the result of personal insult and injury is examined closely in Homer, allowing Glück and Malouf the luxury of not having to rehash and reimagine the ideas that are not crucial to their vision of the personal grief of select characters; “Why, pray, must the Argives needs fight the Trojans? What made the son of Atreus gather the host and bring them? Was it not for the sake of Helen? Are the sons of Atreus the only men in the world who love their wives? Any man of common right feeling will love and cherish her who is his own, as I this woman, with my whole heart” (Homer, 95).
Through focusing on different sections of the epic Iliad, Glück and Malouf are able to draw upon the wealth of information, and cultural familiarity of the story, to utilise the power, formidable legacy and notoriety of the Achilles character to great effect. For whilst it is possible for the reader to form a picture of the great hero from the two modern texts in question, it is through the knowledge of the eventual fate of Achilles in the final passages of The Iliad that the character of this doomed and desperate hero really comes to life. To approach Ransom without knowledge of the Iliad is to forgo the knowledge that informs passages such as this:
“But the sea is not where it will end. It will end here on the beach in the treacherous shingle, or out there on the plain. That is fixed, inevitable. With the pious resignation of the old man he will never become, he has accepted this.” (Malouf, 9).
Without the knowledge of his eventual downfall, and the weight of the mythology that surrounds him, this statement does not have the same level of foreboding. Similarly Glück’s allusion to the emotional death of Achilles (Glück, 18) is an ominous sign of the fate that is to befall him. Achilles, as the son of a Goddess and legendary warrior, carries with him the qualities and form of an entire ancient culture. His journey as a Homeric hero and the godly rage that he possesses is intrinsically Greek, allowing the modern reader to draw on the legacy of the Trojan War to better understand the circumstances surrounding these deeply personal stories of loss. Glück’s focus on the personal anguish of Achilles allows the reader familiar with The Iliad to hold a magnifying glass up to the torment of grief that occurs for one character despite the unmarked deaths of many. The disregard for the value of the life of the average individual in the Greek epic is highlighted by the intensity of Achilles reaction to the death of Patroclus, and his blatant indifference to the soldiers who are dying every day as the result of his inaction, an inaction that is documented in Homer, and the knowledge of which is relied upon by Glück to complete the picture of Achilles irrational grief and intense personal torment.
In a tale of heroes it is important not to lose sight of the man whose body is merely an object, a spectre of its former glory by the time Malouf picks up the story of The Iliad; Hector. Ransom does little to differentiate the heroism of Hector from the heroism of Achilles, merely positioning him as a man of honour and Achilles Trojan equivalent in many ways, highlighting Hector’s use of Achilles armour in the battle that would lead to his demise and uttering the words that tie their fates together “You will not long outlive me Achilles” (Malouf, 23). Hector is not mentioned by name in the poem of Glück, but he is present as the slayer of Patroclus (Glück, 1-2). In both texts Hector haunts the fringes, unable to assert his own merits and character due to omission or death. The reader relies on Homer entirely to inform their deeper knowledge of Hector, which is crucial to understanding the drama unfolding. Bernadete warns us of the perils of dismissing Hector as the Trojan mirror of Achilles:  “Achilles and Hector are heroes, one an Achaean, the other a Trojan; but to know them better, so that even away from their camps, we should not mistake them, forces us to find other traits peculiar to themselves.” (Bernadete, 12).
To understand the gravity of the king and grieving father Priam’s actions and their consequences in a world of restraint and decorum The Iliad provides the context that allows Malouf to depict the old man’s journey of discovery (Brennan 3). In Ransom, Priam struggles with the notion of autonomy and destiny, breaking free of the godly constraints that are so evident in Homer’s Iliad, and choosing his own path. As an epic in the tradition of Greek tragedy The Iliad is spurred on by the will of the gods, whereas it is Priam’s creative thought in the face of desperation that drives the action of Ransom. While Priam is still reliant on the good will and inspiration of the gods, he is forced to consider chance as a factor in determining the fate of his son Hector’s body. The context for Priam the parent is also laid down in The Iliad with scholars such as Pratt asserting the importance of parenthood and the child in Homer’s work (Pratt, 25). In light of this parental motif it is perhaps not as surprising as it initially appears that Malouf has chosen to focus on the struggles and enlightenment of a grieving father, and to introduce another grieving father, Somax, who by his class does not represent the repression and preoccupation with formality the stately Priam does. By comparing the sombre and stately Priam of Homer with the jovial and affectionate cart driver, the universal truth and emotion that lies beneath Homer’s epic is exposed.
The legacy and weight of the Iliad as an intertextual reference cannot be denied and the powerful images and cultural protocols of the Greeks that the epic conjures up serve the authors who rely on them in order to create a fleshed out story, with characters, who by their familiarity and iconicity cannot fail to resonate with readers. This is particularly evident in the poem of Glück which, by its brevity, draws much of its detail and power from its intertextual elements, but the value of these intertextual references in Malouf should also not be underestimated. Whilst both works stand up to scrutiny on their own, they draw great power and substance from their relationship to The Iliad, and the weight of one of the greatest stories ever told.

• Benardete, Seth. “Achilles and the Iliad.” Hermes (1963): 1-16. . Reprinted in The Argument of the Action: Essays on Greek Poetry and Philosophy by Seth Benardete, Chicago: University of Chicago Press, 2000.
• Brennan, Bernadette. “Singing it anew: David Malouf’s Ransom.” Journal of the Association for the Study of Australian Literature 11, no. 1 (2011). Retrieved May 8, 2015, from
• Chandler, Daniel. Semiotics: the basics. Routledge, 2007.
• Glück, Louise. The triumph of Achilles. Vol. 32. Ecco Press, 1985.
• Homer, The Iliad and the Odyssey. Special Edition Books, e-book, 2006.
• Malouf, David. Ransom. Random House, Sydney, Kindle Edition, 2010.
• Morris, Daniel. The Poetry of Louise Glück: A Thematic Introduction. University of Missouri Press, 2006.
• Myrsiades, Kostas. “Introduction: Homer; Analysis and Influence.” College Literature 35, no. 4 (2008): xi-xix.: Accessed 8/5/2015 from
• Pratt, Louise. “The Parental Ethos of the Iliad.” Hesperia. Supplement (2007): 25-40. Accessed 2/5/2015 from

Picture: “The “Triumph of Achilles” fresco, in Corfu Achilleion” by Franz von Matsch – Own work by רנדום, 2011-08-27. Licensed under CC BY-SA 3.0 via Wikimedia Commons –,_in_Corfu_Achilleion.jpg#/media/File:The_%22Triumph_of_Achilles%22_fresco,_in_Corfu_Achilleion.jpg


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